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(There’s still more written for the hoped-for sequel.) In addition to the original soundtrack, there’s “ The Dune Sketchbook (Music From the Soundtrack),” comprising extended sonic explorations, and “ The Art and Soul of Dune,” a companion soundtrack to the book of the same title that goes behind the scenes of the film. In fact, Zimmer wrote more music than could fit in the film. “‘Dune’ is by far my most musical film,” said the director Denis Villeneuve, who also hired Zimmer for “Blade Runner 2049.” “The score is almost ubiquitous, participating directly in the narrative of the film.
#MAN OF THE HOUSE SOUNTRACK MOVIE#
Zimmer’s score is so prominent in “Dune” that at times the movie feels like an otherworldly equivalent of a “Planet Earth”-style nature spectacular. “I wanted to hear the wind howling,” he said. So I took it very seriously.” He avoided seeing the 1984 movie adaptation, directed by David Lynch - featuring music by Toto - to preserve the vision of the movie in his head.Īs part of his creative process, Zimmer spent a week in Utah tuning in to the sound of the desert. “I’ve been thinking about ‘Dune’ for nearly 50 years. In fact, Zimmer turned down an offer to work on Nolan’s last film, “Tenet,” to focus his energies on “Dune.” In a way, the composer said, he has been working on this soundtrack ever since he first read the novel as a teenager.
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Here’s a look at the classic novel’s latest film adaptation:
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The highly anticipated sci-fi opus premiered Oct. Along with synthesizers, you can hear scraping metal, Indian bamboo flutes, Irish whistles, a juddering drum phrase that Zimmer calls an “anti-groove,” seismic rumbles of distorted guitar, a war horn that is actually a cello and singing that defies Western musical notation - just to name a few of its disparate elements. The resulting soundtrack might be one of Zimmer’s most unorthodox and most provocative. offices overlooking Hudson Yards in New York. “I felt like there was a freedom to get away from a Western orchestra,” he said recently, speaking in the Warner Bros. Even the rollicking tune performed by the bug-eyed creatures in the Cantina was inspired by Benny Goodman.įor “Dune,” by contrast, Zimmer wanted to conjure sounds that nobody had ever heard before. When the composer Hans Zimmer was approached to score “Dune,” the new movie adaptation of Frank Herbert’s epic sci-fi novel, he knew one thing absolutely: It would not sound like “Star Wars.” Musically, those films drew on influences that ranged from Holst and Stravinsky to classic movie scores of the ’30s and ’40s.